In the second talk of our summer series, we were delighted to be joined by Jolyon, son of the New Pastoralist artist Paul Drury, and Peyton Skipwith formerly a director of the West End based Fine Art Society. Both brought along period prints from their own collections to illustrate the development of a broadly romantic aesthetic in print art, commencing with the late etchings of Samuel Palmer, and continuing with the Palmer revival of the 1920s and the early works of Grham Sutherland and others.

We were particularly honoured to also be joined for the afternoon by Jerrold Northrop Moore, the leading expert and writer on Sir Edward Elgar, and author of The Green Fuse, and The Architecture of Dreams – the standard work on the Cotswolds etcher, F L Griggs. The whole event turned into something of a Masterclass, with an active three way debate as may be witnessed below.

Jerry Moore and Jolyon Drury

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